Pesquisando por: "WILLI SITTE" - Fotoarena - Agência de fotojornalismo

20230625_zia_c218_029 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

20230625_zia_c218_030 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

20230625_zia_c218_025 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

20230625_zia_c218_026 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

20230625_zia_c218_027 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

20230625_zia_c218_028 June 25, 2023, Compton Verney, Warwickshire, United Kingdom: A rare 17th century British painting featuring a black woman will remain in the U.K. in recognition of its â??outstanding significanceâ? for the study of race and gender in 17th-century Britain.An anonymous artistâ??s portrait of two women â?? one black and one white, who are depicted as companions and equals with similar dress, hair and jewellery â?? has been bought by the Compton Verney gallery in Warwickshire after funds were raised for its acquisition..The work of art, titled Allegorical Painting of Two Ladies, dates from around 1650, anf appears to be an artistic critique of the use of cosmetics..Each womanâ??s face is covered in curious beauty patches which the paintingâ??s inscription condemns as a sin of pride..Wearers of such patches or spots â?? made of silk or velvet â?? often used them to hide imperfections or signs of disease. The white subject wears black patches of various shapes and the black sitter has white ones..The painting was at risk of permanently leaving the UK after it was auctioned in Shropshire in 2021 and sold for £220,000 after intense interest bumped its price up froan estimate of between £2,000 and £4,000. A temporary stop meant the buyer could not take the painting abroad without allowing a UK institution to acquire it was placed on the artwork by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest..They noted: â??The depiction of a black female sitter in a 1650s painting was highly unusual â?¦ inviting important debate about race and gender during the period.â?.The unidentified owner had intended to take the painting overseas unless a UK buyer could be found..The oil on canvas measuring 640 x 750mm, was unknown to scholars until discovered as part of the estate of the sixth Lord Kenyon. It has been now acquired by Compton Verney for more than £300,000, using £154,60

akg8555343 HELST, BARTHOLOMÄUS, VAN DER1613 Haarlem - before 1670 AmsterdamattributedPortrait of a Man. Oil on canvas. Relined. 49,5 x 45,5cm. Frame/Pedestal: Framed. Provenance:Private collection, Europe.The present painting is included in the online databank of the RKD, The Hague, under the ill. no. 45826.Batholomäus van der Helst, to whom the present painting is attributed, was one of the most important portraitists of the so-called ""Golden Age"" of the Netherlands. The native of Haarlem, who came from a family that was once wealthy but probably impoverished in his youth, must have come into contact with art as a child in his parents' house. Nothing is known about the beginning of van der Held's career, but it is assumed that he studied with the portraitist Nicolaes Eliaszoon Pickenoy in Amsterdam. In any case, he is mentioned in documents in the art metropolis since 1637. Only two years later van der Helst received the prestigious commission for a large group painting of the Rifle Company of Captain Roloef Bicker (now in the Rijksmuseum, Amsterdam). It can be assumed that by this time van der Helst was already an established artist, widely networked among the citizenry.Among van der Helst's clients were the entire upper middle class and the social elite of Amsterdam and also the nobility. The immense prestige he enjoyed is also shown by the fact that he painted seven such large and representative regent and marksman pieces during his career, whereby he did justice to the portrayed protagonists with great individual conciseness. The fact that these monumental paintings, which demonstrated the self-confidence of the city's elite, were created parallel to Rembrandt's Night Watch, and that some of them decorated a hall together with it, may illustrate the highest esteem in which his contemporaries held him.The portrait presented here could be from van der Horst's earlier years, in which his style resembled that of his supposed teacher Pickenoy. These earlier portraits are entirely focused on the person portrayed, the background is in monochrome earth tones. In the course of his career, van der Helst increasingly began to elaborately design background and pictorial space through landscapes and attributes, often collaborating with other artists.In two others, secured works by Bartholomäus van der Helst, we encounter a gentleman whose resemblance to the portrait presented here is striking: In the Alte Pinakothek in Munich there is a portrait of a ""gentleman in the black atlas office"" dated 1649, which looks just as strikingly similar to the one portrayed here as the son-in-law in the monumental family portrait in the Petersburg Hermitage from 1647 (""Portrait presumably of the married couple Willem Visch and Eva Bisschop and their daughter Laurentia Visch and her husband Adriaen Prins and his son"").Is the resemblance of our sitter to the sitters in the two secured paintings by van der Hals coincidence or is it the same man, perhaps ten years younger? The present painting could be an interesting ""puzzle stone"" that sharpens our image of van der Helst and his clients..

akg8555344 HELST, BARTHOLOMÄUS, VAN DER1613 Haarlem - before 1670 AmsterdamattributedPortrait of a Man. Oil on canvas. Relined. 49,5 x 45,5cm. Frame/Pedestal: Framed. Provenance:Private collection, Europe.The present painting is included in the online databank of the RKD, The Hague, under the ill. no. 45826.Batholomäus van der Helst, to whom the present painting is attributed, was one of the most important portraitists of the so-called ""Golden Age"" of the Netherlands. The native of Haarlem, who came from a family that was once wealthy but probably impoverished in his youth, must have come into contact with art as a child in his parents' house. Nothing is known about the beginning of van der Held's career, but it is assumed that he studied with the portraitist Nicolaes Eliaszoon Pickenoy in Amsterdam. In any case, he is mentioned in documents in the art metropolis since 1637. Only two years later van der Helst received the prestigious commission for a large group painting of the Rifle Company of Captain Roloef Bicker (now in the Rijksmuseum, Amsterdam). It can be assumed that by this time van der Helst was already an established artist, widely networked among the citizenry.Among van der Helst's clients were the entire upper middle class and the social elite of Amsterdam and also the nobility. The immense prestige he enjoyed is also shown by the fact that he painted seven such large and representative regent and marksman pieces during his career, whereby he did justice to the portrayed protagonists with great individual conciseness. The fact that these monumental paintings, which demonstrated the self-confidence of the city's elite, were created parallel to Rembrandt's Night Watch, and that some of them decorated a hall together with it, may illustrate the highest esteem in which his contemporaries held him.The portrait presented here could be from van der Horst's earlier years, in which his style resembled that of his supposed teacher Pickenoy. These earlier portraits are entirely focused on the person portrayed, the background is in monochrome earth tones. In the course of his career, van der Helst increasingly began to elaborately design background and pictorial space through landscapes and attributes, often collaborating with other artists.In two others, secured works by Bartholomäus van der Helst, we encounter a gentleman whose resemblance to the portrait presented here is striking: In the Alte Pinakothek in Munich there is a portrait of a ""gentleman in the black atlas office"" dated 1649, which looks just as strikingly similar to the one portrayed here as the son-in-law in the monumental family portrait in the Petersburg Hermitage from 1647 (""Portrait presumably of the married couple Willem Visch and Eva Bisschop and their daughter Laurentia Visch and her husband Adriaen Prins and his son"").Is the resemblance of our sitter to the sitters in the two secured paintings by van der Hals coincidence or is it the same man, perhaps ten years younger? The present painting could be an interesting ""puzzle stone"" that sharpens our image of van der Helst and his clients..